the slow textiles blog

Your Platform for Design, Community, Dialogue, Reflection & the Dissemination of Textile Methodologies that are Sustaining as well as Sustainable

Sunday, 25 October 2009

Textile Techniques for 'Extended Life,' Workshops 11 to 16:



In the picture: Becky EarleyKate GoldsworthyJen BaillieKay PolitiwiczFrances Geesin and Linda Florence. 

You just missed the amazing 1960s Applique Art - Taking Inspiration from British Textile Designer Christine Risley and 1960s Illustration workshop!

Following the success of our first ten workshops, here's the latest list.

Each workshop is about sewing, printing, learning and having fun.

All materials are supplied, however, you are encouraged to bring old fabrics for re-use and upcycling. A great source for such is http://www.chriscareyscollections.co.uk/aboutus.html.

The promotion of waste minimization through social and cultural activity is one of our driving criteria.

Make sure you don't miss out! These are one-off events with top names from British textiles in attendance.

Everyone is welcome! Reserve your place now by sending an email to emmaneuberg@mac. Thank you. 

See below for further description and west London venue. 

Our new dates for 2010:

On Feb 6th 2010 from 13:30 til 16:15,

WORKSHOP 11:

1950s Modernist Surfaces - Taking Inspiration from British Textile Designer Lucienne Day and X-ray Crystallography -
with Print, Applique & Stitch on to Upcycled Fabric.

Insulin atoms translated to textile, Robert Sevant, 1951.

This workshop introduces a space in which to reflect on the visual and semantic meaning of new technologies, textiles and the notion of futurist motifs for cultural dissemination.

In support of economic growth, designers of the 1950s were encouraged to interpret scientific data for aesthetic and cultural consumption. What do these textiles mean today, with their dated 'discoveries' printed in repeat?

Relevant today, with 'textile futures' an expanding field, this workshop allows a creative dialogue on cloth with the past's 'futurist hope', its motifs, scientific imperatives, consumerism and nostalgia.

Examples will be studied and derivative prints explored - on upcycled fabric and in Illustrator.

A nostalgia for old science or an exploration of the idea of the future printed yesterday?

This promises to be a unique, intelligent and thought-provoking workshop.




On March 27th 2010 from 13:30 til 16:15,

WORKSHOP 12:
Snickeregladje or Carpenter's Happiness: Scandinavian Folkloric Patterns with a view on Flora and Fauna -
with Print, Applique & Stitch on to Upcycled Fabric.


Folkloric paper cutout patterns, (Poland).

This workshop explores meanings of happiness originating in the craft tradition of Swedish "snickeregladje" - literal translation, carpenter's happiness - or fretwork.

Looking at Scandinavian folk motifs that permeated textile and paper traditions too, participants will practise designing similar motifs on paper (in acrylics) then develop and translate these into textile designs for applique and digital print.

An exciting workshop that explores the relationship between happiness and handiwork, design and emotion, the hands-on and the digital.


On April 24th 2010 from 13:30 til 16:15,

WORKSHOP 13:
Upcycled Sequin Flowers - An Exploration of 3D Structures Made from Hand-made, Upcycled Plastic, 8 - 60mm Across -
with Digital Print, Lamination, Beading & Stitch with Upcycled Fabric.

Details soon.




On May 9th 2010, taking place at Stroud International Textiles Festival, time to be confirmed,

WORKSHOP 14:
Sashiko & Embroidery Hybrids - An Exploration of Old and New Techniques and Interpretation -
with print and stitch on Upcycled Fabric. 

Details soon.





On June 12th 2010 - 13:30 til 16:15,

WORKSHOP 15:

Upcycled Flowers for Fashion, Textiles, Jewellery and Accessories - 3D Flower Structures Made from Upcycled Beads, Fabric and Found Objects -
with Sewing, Wirework & Beading of Upcycled Materials.

Upcycled bead construction

Details soon.




On October 2nd 2010 from 13:30 til 16:15,

WORKSHOP 16:


"Pop Patches" - An Introduction to Needlepoint Encased in Plastic -
with Stitch on to Upcycled Fabric.

Digital vernacular stitched.

Details soon.


After an introduction to the theme and its techniques, everyone tries out the techniques for themselves and, following The Slow Textiles Group template for discussion and learning (Practical, Symbolic, Sustainable and Immaterial Content), individuals are encouraged to work on projects of their own design.

To see charming grassroots venue, Gracelands Yard, just north of Portobello Docks in west London, click
Gracelands Café Homepage and for directions, click Streetmap.co.uk- search results for NW10 5HD.

To benefit from Members Discounts click
'BUY NOW' button (top right) before you select your workshops. Thank you.

Any problems? Just email emmaneuberg@mac.com.

We look forward to seeing you there.

Tuesday, 12 May 2009

Making the Myths Visible - Sustainable Thinking in Design & Design Education:


For a list of Dr Neuberg's 2010 Fashion & Critical Theory Talks, 
please go to Theory Talks.

Diesel ad, c.2007.



Thursday, 23 April 2009

Our publications:


Each of our workshops will have its own publication describing the content and dialogue that took place and will be FREE to members:

Wednesday, 8 April 2009

Inviting International Material Memories:


An invitation to add to this growing collection of material stories. 

All submissions welcome.

Inspired by Charles Darwin's nephew, George Darwin's 1872 paper "Development in Dress", this online collection is part of a research project to create "biographies in dress" where clothes are read as biographies of gender, social climate, biological development, geographic location, personal change and cultural evolution.

Please email images (300dpi, max 7cm x 5cm) of four cherished garments (being worn or not) with details of age at wearing, description of the garment, geographic location, year and top 3 reasons for wearing it that day/that year. 

Thank you. (Email as seen top right).

Monday, 16 February 2009

On Paul Serusier

The Nabis saw their work as a bold new interpretation of their world rather than a revolution against tradition.

Le Talisman, 1888,


Wednesday, 11 February 2009

Working in Groups:


Kuna women doing their applique, 2004.

Slow Textiles not only generate timeless artefacts but they expand time. 
Engaged in the contained, communal process, time stops and all that is timeless flows in.

Floral Thoughts



Pixellated material memories. New group work coming soon.